TIGO SAPILIN CONCEPT: SIJOBANG SONG IN MUSICOLOGICAL AESTHETIC STUDY
This research intends to examine the notion of Tigo Sapilin in the song Sijobang from a musicological aesthetic viewpoint to comprehend how Minangkabau (Indonesian) cultural values are expressed through traditional musical practices. Sijobang, as a form of sung oral narrative, is not only as a medium of entertainment but also a means of conveying social, ethical, and spiritual principles. Musically, Tigo Sapilin’s concept encompasses 2/4, 3/4, and 6/8 rhythms, which play a significant role in shaping the aesthetics of Sijobang performances in terms of melodic structure, rhythm, and the presentation of narrative texts. The research approach employs a qualitative musicological framework that integrates ethnographic research, musical analysis, and comprehensive interviews with musicians and cultural representatives. The study involves investigating the musical framework of Sijobang, the connection between lyrics and melody, and the influence of local aesthetics on shaping performance. Primary data were collected through firsthand observation of the performance, while secondary data were analyzed from existing literature on musicology and the anthropology of Minangkabau art. The study’s findings suggest that Sijobang’s aesthetics are shaped by the combination of three key elements: (1) recurring melodies symbolizing the persistence of tradition, (2) adaptable rhythms that align with the story’s narrative and dynamics, and (3) regional intonations that enhance emotional subtleties and cultural identity. The idea of Tigo Sapilin serves as an aesthetic framework that preserves a harmony between tradition, spirituality, and the personal expression of the artist. Therefore, Sijobang can be seen not just as a creation of performing arts, but also as a depiction of the vibrant and evolving Minangkabau cultural value system
Keywords: Tigo Sapilin, Sijobang, musicological aesthetics, Minangkabau, traditional music
